DRUM & BASS
Data Format : 16 bit linear PCM
Drum Kit : 50 kits
Drum Sound Generator : 36 sounds/kit(12pads x 3bank)
Bass Sound Generator : 13 sounds
Polyphony : 24 voices(Drum + Bass)
Drum Pad : 12 touch sensitive pads, self lighted
Resolution : 48 PPQN
Odd Meter : 1/4-8/4
Song : 10 songs/project
Pattern : 511 patterns(475 factroy, 36 blank)
Maximum Bar : 999 bars/song, 99 bars/pattern
Maximum Note : Approx. 20,000 notes(events)/song
Tempo : 40.0-250.0BPM
MIXER
Input Channel : 27 channels(19 tracks + 8 inputs)
Scene Memory : 100 scenes/project(Linkable to marker)
Fader : 15(1-8 mono, 9-16 stereo, Drum, Bass, Stereo Master)
Level Meter : 10 segments x 29 bar(Pre/Post fader selectable)
Track Parameter : Equalizer, Effect Send, Pan(Balance), Subout Send, Invert
Equalizer : High(f : 500Hz-18kHz,Gain : ±12dB)
Mid(f : 40Hz-18kHz,Gain : ±12dB)
Low(f : 40Hz-1.6kHz,Gain : ±12dB)
Effect Send : Chorus/Delay send level, Reverb send level
Stereo Link : 1/2, 3/4, 5/6, 7/8 tracks selectable
EFFECT
Algorithm : 9 types(Clean, Dist, Aco/Bass Sim, Bass, Mic, Dual Mic, Line, 8x Comp EQ, Mastering)
Effect Type : 103 types
Effect Module : 6 for Insert, 2 for Send/Return
Max. Simultaneous Effect : 8 types
Effect Patch : 320 for Insert, 60 for Send/Return
Tuner : Auto chromatic, Guitar, Bass, Open A/D/E/G, D modal
PAD SAMPLER
Simultaneous Sample : 36 samples, total 22 seconds(mono)
Max. Storable Sample : 1,000 samples
PHRASE LOOP
Max. Storable Phrase : 100 phrases / project
Phrase Edit : Start / End, Measure, Name, Level
• Project: Maximum 1,000
• Hard Disk: E-IDE/3.5inch 40GB
• A/D Conversion: 24bit 64times over-sampling
• D/A Conversion: 24bit 128times over-sampling
• Sampling Frequency: 44.1kHz
• Signal Processing: 24bit
• Frequency Response: 20Hz-20kHz ±1dB(at 10kohms load)
• S/N: 93dB(IHF-A)
• Dynamic Range: 97dB(IHF-A)
• THD+N: 0.02%(400Hz, at 10kohms load)
• Display: 122 x 65mm original LCD(with back light)
• Guitar/Bass Input(Hi-Z): 2x 1/4" Phone Jack, Input Impedance 500kohms
• Balanced/Unbalanced Input: 8x XLR/1/4" Phone Combo Jack,(Unbalanced: Input Impedance 50kohms/Balanced: Input Impedance 1kohms, 2nd Hot)
• Line Input: RCA pin jack(L/R), Input Impedance 10kohms, Rated Input Level -10dBm
• Phantom Power: 48V(with On/Off switch)
• Input Level: -50dBm • Master Out: RCA pin jack(L/R), Output Impedance 1kohms, Rated Output Level -10dBm
• Headphone Out: 1/4" Stereo Phone Jack, 50mW(at 32ohms load)
• Sub Out: 1/4" Stereo Phone Jack
• Digital Out: S/P DIF Optical(20bit)
• MIDI: In/Out
• Control Input: 1x Expression Pedal, 1x Foot Switch
• Optional Board Slot: 1
• Dimension: 490(W) x 350 (D) x 125(H)mm
• Weight: 7.3kg(without CD-R/RW drive)
• Power Supply: DC12V, 3A(AC Adaptor AD-0011 specified)
• Power Consumption: 30W(12V, 3A)TYP.
• Supplied Accessory: Universal AC Adaptor AD-0011,CD-ROM
• Optional Accessory: CD-02(CD-R/RW drive), UIB-02(USB Interface board), FS-01(Foot Switch), FP-02(Expression Pedal)
• *0 dBm=0.775 Vrms
Product Description
The ultimate all-in-one machine
Hard disk recorder, drum and bass machine, sampler, digital mixer, multi-effects, you name it, the MRS-1608 has got it. Everything you need to create incredible sounding recordings is right here, in a user-friendly and accessible package.
TRACK EDIT
10 types of track edit functions
The MRS-1608 offers ten different track edit functions that are great for arranging songs. This includes not only basic operations such as cut-and-paste of audio data, but also professional-level tricks such as compensating the pitch or creating harmonies for a vocal track. Any V-take can be copied, moved, swapped, deleted, or imported from another project.
• COPY Copy & paste. Easily repeat the contents of a phrase.
• MOVE Assemble the best takes from various sources onto a single track.
• ERASE Mute any specified range, for example to eliminate noise or clean up mistakes.
• TRIM Remove unwanted portions before and after a stretch of recorded data, to keep only the parts that matter.
• FADE I/O Select from three curves for fade-in and fade-out, and specify the time for the fade interval.
• REVERSE Get wild and wonderful sound by reversing audio data.
• TIME STRECH Change the tempo without altering the pitch. Great for tweaking the master data before burning a CD.
• PITCH FIX Match the pitch of vocal passages or provide pitch correct effect.
• HARMONY GENERATE Create a 3-part harmony from the vocal track that matches the programmed chord.
• DUO HARMONY Add a third up or down harmony component to the melody.
Scrub / preview function to find exactly the right spot
The scrub/preview function lets you move back and forth from the current point in very short intervals. Zoom in exactly on the start of a sound, for pin-point editing. The function can be used on up to four tracks simultaneously.
DIGITAL MIXER
• Internal 24-bit processing and mixing automation support
The digital mixer handles a total of 27 channels: 19 playback tracks including internal drum and bass, plus 8 input channels. Parameters such as volume, panning, EQ, phase, and effect send level can be adjusted individually for each track. The convenient "scene" function saves up to 100 different setups, for instant recall of all parameters. By assigning a scene to a marker point of the recorder, it is even possible to change the mixing balance or effect settings automatically as the song progresses. A solo function that lets you monitor a single track also comes in handy.
• 3-band parametric equalizer
Track equalization is performed using a 3-band parametric equalizer with adjustable center frequencies. This makes it easy to create exactly the boost / cut curve you want. The 3-band design means that you can add zing to the high and low end, while attenuating the midrange for improved clarity.
• Separate SUB-OUT parameter settings for a different mix
The pre-fader signal for each track can be sent to the stereo SUB-OUT jack with separate level and pan settings from the main signal. There are various ways you could use this feature. During recording, you could create a mix that is optimized for each player, or you could send guide clicks to the drummer during a performance. By assigning the same signal as the master output, the SUB-OUT connector can be used as a spare headphone jack.
RYTHM MACHINE
• 50 drum kits and 13 bass sources
The MRS-1608 has dedicated tracks for drums and bass. With 50 drum kits and 13 bass sources, it can provide solid backing in a variety of styles. The factory pre-programmed drum kits include acoustic ambience, dry sound for easy effect processing, vintage rhythm box, percussion, and SFX sounds. By freely combining 36 sound sources, you can also create your own drum kits while using the 12 mixing faders as drum mixer controls. The bass sources include electric bass in pick, finger, and slap styles, acoustic bass, synthesizer bass, and more.
• 475 preset drum patterns ready to go
475 pre-programmed drum and bass patterns in all of the major styles, from rock, jazz, and funk to club music are available right out of the box. Intros, fill-in patterns and endings are also included, so you can simply pick and choose to create the rhythm track for an entire song in a flash. Twelve self-lit touch-sensitive pads are great for real-time play or for step input, letting you create your own rhythm backing with nuanced dynamics.
• Truly "FAST" rhythm programming
FAST (Formula Assisted Song Translator) is an innovative programming method developed by ZOOM that lets you build rhythm patterns using simple calculator-like symbols. With the drum pads serving as a numeric keypad, you can quickly enter a drum program for an entire song. For example, to play pattern number 010 eight times and then pattern number 020 sixteen times, you enter 10 x 8 + 20 x 16. After a song has been written with FAST, you can edit patterns and change event information in the same way as with a regular song.
• High-performance sequencer also incorporates SMF player
The built-in rhythm sequencer can operate in sync with the recorder section, letting you create rhythm accompaniment and audio tracks in an interactive environment. For example, you might sketch the idea for a song using one rhythm pattern as a guideline, and then flesh out the rhythm track later, when the song has taken shape. Various kinds of event information can be input for the rhythm song, for example controlling the drum/bass level, drum kit and bass program selection, tempo changes, and automatic bass line transformation according to the entered chord. If you import existing SMF (Standard MIDI Files), you can control the built-in rhythm sound sources or external multi-timbre sound sources connected via the MIDI link.
PHRASE LOOP
By freely combining parts of an audio track or WAV/AIFF file phrases imported from a sampling CD-ROM, you can create a loop track. Program the phrase sequence for an entire song using FAST, and then write the result to any track as audio data. Or go a step further and create multiple loop tracks with drums, bass, rhythm guitar and other instruments played by professional musicians. You can do this by changing the destination track for each loop. Phrases of different length can be auto-adjusted with the time stretch function to match the tempo of built-in rhythms.
PAD SAMPLER
The pads on the MRS-1608 can also be used to play parts of V-takes or WAV/AIFF files. Add samples and sound effects to a song, and play them in the drum track sequence. Up to 1000 samples can be stored in a "sample pool" on the internal hard disk. A project can contain up to 10 sampler programs, each using 36 samples (total playing time 22 seconds). Of course you can set the sample start and end points and also control pad parameters such as pitch, level, and panning. Fade-in / fade-out and reverse playback of sample data are also possible.
EFFECT
• Insert effect
Nine types of effect algorithms optimized for various input sources, such as guitar / bass, synthesizer, vocals, and mic recording of acoustic instruments are built into the MRS-1608. The algorithms are configured using six effect modules with 103 effect types. The number of possible variations rivals the outboard collection of many recording studios. By changing the insert position, effects can be applied either during recording or while playing recorded tracks. 206 effect patches duplicating the techniques of seasoned pros and simulating various guitar and bass amplifiers are also available.
• 8-channel COMP EQ for dynamic multi-miking
The 8-channel COMP EQ algorithm applies compression and equalization to eight input channels, with individual settings for each. This makes it possible optimize channels and create sound with dynamic impact. When recording live drums, for example, you can attenuate the attack and let the finer nuances of the drum body reverberations shine through.
• BPM sync effects
The delay time or modulation of the delay, echo, flanger, phaser, tremolo, and resonance effects can be synchronized to the tempo of the built-in rhythm machine, to give a special rhythmic feel. In addition, the MRS-1608 also features ARRM (Auto Repeat Real-time Modulation) which uses internally generated waveforms (sine wave, square wave etc.) to control effect parameters. Wah and pitch can be controlled automatically to achieve a pedal-like effect.
• Send / Return effect
Two types of send / return effect (chorus / delay and reverb) can be used simultaneously. The high-quality ambience effects originally developed for the Zoom RFX series processors give enormous depth and spatial richness to the sound.
• Mastering effect
When you are creating the final mix, you have access to quality effects such as the high-performance equalizer and the multi-band compressor with individual parameters for each band. To achieve dynamic sound that rivals professionally produced CDs, select one of 21 presets incorporating the know-how of experienced mastering engineers.
INTERFACE
• XLR input with phantom power supply and digital output
Up to eight mics can be plugged in at once. The MRS-1608 has eight combination jacks which accept either XLR or phone plugs. To allow the use of condenser mics, four channels are equipped with a +48V phantom power supply. On / Off switches that control two channels at a time make it possible to use a combination of dynamic and condenser mics. Hi-Z jacks for guitar/bass and RCA type jacks are also available, making the MRS-1608 ready to handle just about every type of input source. An optical S/P DIF output lets you send a digital signal to a DAT or MD master recorder.
• Synchronization with MTC and MIDI clock
MIDI Time Code signal allows synchronization with recording studio type MIDI devices. It also allows for synchronized operation with a computer DAW or other MIDI-based systems.
• USB 2.0 support ensures high-speed data transfer
The optional USB interface board UIB-02 lets you connect the MRS-1608 to a computer (Windows or Mac) equipped with a USB port. Using the free Audio File Manager software, you can import and export audio data as WAV or AIFF files at high speed over a USB 2.0 link. Backing up project data or importing SMFs or sample phrases is quick and easy.
Model: MRS1608
£649.99 
